Contemporary On-Site welcomes The Sunroom from Richmond, Virginia to Atlanta Contemporary. The Sunroom is pleased to present PERMACLEAR 2, an exhibition and performance by Fayetteville, NC-based artist and producer, Brandon Covington Sam-Sumana, who takes the title “N-Prolenta”.

N-Prolenta’s practice weaves together methodologies ranging from sound, video, performance and speculative financial models as means of interrogating the intersection of digital culture, technology, modes of production and Black subjecthood. For PERMACLEAR 2, N-Prolenta draws upon the form of an ultrasound: the space acts as a bowed, womb-like host lined with scans and video monitors, the core of which will be activated by the artist in a performance on September 8th.

In Redaction, a collage record of email correspondences serving as the central hearth of the show, the artist reveals themselves and their collaborators by way of written transactions. The work offers up the pixelated scaffolding of their practice while also twisting, redacting and obscuring it. As with the lining of a womb, these correspondences are the connective tissue that supplies nutrients to the body inside; it is generative and regenerative.

The framework of the ultrasound points to systems of knowledge and perception that eschew the dominant realm of visual information, instead using sonic waves to (1) author other senses and (2) map relationships between different entities. For PERMACLEAR 2, N-Prolenta will activate the exhibition with a performance that explores how sound can adapt in response to various physical and visual stimuli. Rather than using direct speech to describe sensations, they will illustrate the aural manifestations of those non-sonic stimuli; they will seek to illustrate scent through sound, taste through sound, touch through sound, and so on.

N-Prolenta often draws upon paradigms of exposure and erasure in their work to point to the precarity of the Black subject as the crux of increasingly desperate global economic and environmental pressures. Of their most recent video project, No Crypt More Powerful Than Text (Adida One)— an essay that winds together nefarious political acts and instances of ally theater overtop a swirling, cosmic black hole that is flanked by stock images, screenshots, and photographs of the essay’s subjects— N-Prolenta writes: “[Through the industries of art and culture, and its relevant artifacts], the resource-configurations needed for global elite to strengthen the [control] they already possess are made plainly visible, and modifiable… World War III has long begun and these realms compose the front lines of battle. World War III has been quiet, slow-bleeding, and micro-scaled.”