Georgia Women to Watch
Jan 28, 2023 - Jun 4, 2023
New Worlds
For the 2023 iteration of the ongoing Women to Watch series, the Georgia Committee of the National Museum of Women in the Arts (NMWA) invited guest curators Sierra King and Melissa Messina to select five woman-identifying Georgia-connected artists whose work responds to the question:
When women artists envision a different world, how does that look?
With over 60 artists initially considered, and 16 studio visits conducted, these 5 artists represent a diverse range of artistic excellence, age, backgrounds, and geographic locations. Their practices push the boundaries of their chosen media and the exhibition’s thematic inquiry.
Anila Quayyum Agha (Augusta), Namwon Choi (Savannah), Victoria Dugger (Athens), Shanequa Gay (Atlanta), and Marianna Dixon Williams (Augusta) each employ an experiential, installation-based practice that allows the viewer to charge each space with their personal physical presence and emotional and intellectual considerations. In this way, the viewer becomes the subject of the exhibition. A collaborative call-and-response to visions of the future is, after all, what determines possibility.
In New Worlds, such visions include young women honored as goddesses, vulnerabilities celebrated as sources of strength, and our relationship to the landscape re-imagined and redefined. The ancient and timeless symbol of the pyramid illuminates our way into these multivalent environments. Each artist presents time as a poetic, bendable, cyclical element. In so doing, they collectively remind us that we must consider the past – transform its ills and cultivate its beauty – to chart a more peaceful, bountiful, equitable, and enchanted future.
Women to Watch is a collaboration between NMWA and its network of national and international outreach committees. Held every two to three years, Women to Watch features emerging and underrepresented women artists from the states and countries in which the museum has committees.
With a track record of supporting women artists (76% of its exhibiting artists are female), the non-profit alternative art space Atlanta Contemporary has a mission that aligns perfectly with the Georgia Committee’s goal to support and advocate for women artists in Georgia.
Presented by Georgia Committee of the National Museum of Women in the Arts
Bios
Anila Quayyum Agha
Anila Quayyum Agha (b. Lahore, Pakistan) received her BFA from the National College of Arts, Lahore and an MFA from the University of North Texas. Her work has been exhibited and collected by both institutions and private collectors; nationally and internationally.
Namwon Choi
Namwon Choi is an artist based in Savannah, GA. Choi acquired her BFA and MFA in Traditional Korean Painting from Hongik University in Seoul, Korea in 2002, and her MFA in Drawing and Painting at Georgia State University in Atlanta in 2014.
Choi’s work has been exhibited at the New York City Korean Culture Center, the Los Angeles Korean Culture Center, Aqua Art Miami, at The Museum of Contemporary Art, Georgia in Atlanta and, B20 Wiregrass Biennial at the Wiregrass Museum in Dothan, Alabama.
Victoria Dugger
Victoria Dugger (b.1991) was born in Columbus, Georgia. She received her BFA in Drawing and Painting from Columbus State University, and her MFA from the Lamar Dodd School of Art at the University of Georgia. Her work has been featured in New American Paintings South Edition, Burnaway, and Flagpole Magazine as well as various other publications.
Shanequa Gay
Atlanta-born Shanequa Gay (b. 1977) holds an MFA from Georgia State University and BA from the Savannah College of Art and Design. Gay has exhibited her work in the United States, Japan, South Africa and Europe.
Marianna Dixon Williams
Marianna Dixon Williams was born in Augusta, Georgia. She attended Brown University and received a BFA in Painting from the Rhode Island School of Design before completing an MFA with a concentration in time-based and interactive media at the University of Pennsylvania.
Her work develops installations that explore themes of environmental change and the ability of this world to be simulated, emulated, and measured digitally.
Location
Gallery 2, Gallery 3
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