Ralph Ziman joins artist Makiko Maekawa for a special Contemporary Kids program. They will be teaching kids how to use various objects, paint, and paper to create contemporary works of art.
This is a drop-in event. Doors open at 12pm and visitors may begin the project any time until 2pm. Most visitors complete their artwork in 30-45 minutes and are invited to view the exhibitions before they leave. Contemporary Kids is open to all ages.
Parking is free in the lot at Bankhead & Means Street (Google Maps Location). You can access the lot via Bankhead Avenue and proceed past the parking attendant booth.
About The Casspir Project
The Casspir Project charts the locus of the South African military vehicle’s legacy of institutional oppression — a legacy with which we are still reckoning. The central element of the project is one of reclamation.
The central element of the project is one of reclamation. The restored and refitted Casspir vehicle, its surfaces fully covered in elaborate, brightly-colored panels of glass beadwork, arrayed in traditional patterns was completed by artisans from Zimbabwe and the Mpumalanga province of South Africa, including women of the Ndebele tribe, known for their craftsmanship.
Since it’s debut SPOEK 1 has travelled throughout South Africa, stopping at The Turbine Art Fair, Johannesburg (July 2017); Everard Read Gallery — Keys Art Mile, Johannesburg (July 2017); and The Melrose Gallery, Johannesburg (September 2017). The vehicle arrived in the United States in May this year and was part of Special Projects at the fourth edition of 1-54 New York and, most recently, was on view at Pioneer Works, New York through the summer.
I remember columns of Casspirs, ten or fifteen, heading for the East Rand Townships of Daveyton and Katlehong,” Ziman says. “Heavily armed paramilitary police sitting casually on the roofs brandishing automatic weapons. I remember Casspirs flying at high speeds down the narrow, potholed streets of Soweto. I remember how the South African police would park two Casspirs in the road to form a blockade, forcing drivers to slow into an S-shaped route for tense inspection.
Ralph Ziman’s practice is motivated by a sense of social responsibility toward global politics. Using imagery that is at once vivid and dark, he comments on serious issues such as life under apartheid, the arms trade and trophy hunting. His work extends across a variety of media, including film, photography, public intervention, sculpture, and installation.
Makiko believes kids have magical power in creativity and imagination. She is originally from Japan and studied photography in Baltimore, MD. As a child she learned that art is universal language that allows kids express their power. She currently lives in Atlanta and creates art in mixed media including photographic images.
This is more than just a yoga class—it's an exploration of rhythm, breath, and energy. As Sydney guides you through a mindful flow, while DJs shape the soundscape in real-time, creating a fully sensory, meditative environment designed to ground the body and expand the mind.
Whether you're a seasoned yogi or just beginning your practice, Flow State invites you to embrace the process—investigate, explore, and move with intention.
Bring your mat, an open mind, and get ready to vibe.
Join us for a conversation with Jiha Moon, acclaimed artist and 2023 Guggenheim Fellow, as she reflects on her exhibition Ten Moon and her evolving practice.
After relocating from Atlanta to Tallahassee, Moon’s work has shifted to embrace new environments and influences. Ten Moon features her signature blend of paintings, ceramics, and mixed-media works that draw from Korean folk traditions, American pop culture, and digital iconography. At its center is the Shrine series, where paintings and ceramic objects merge into intimate, dreamlike spaces exploring memory, identity, and transformation.
Moon will share insights into her practice, the symbolism of the moon as a marker of resilience and change, and her exploration of in-betweenness—where the familiar meets the surreal.
Her work is held in major collections including the Hirshhorn, the High Museum of Art, and the Virginia Museum of Fine Arts.
This event is free and open to the public.
with a Special Performance by Atlanta Korean Cultural Center (AKCC)
Free
Join us for a special curator talk with Youmi Efurd, curator of the Richardson Family Art Museum at Wofford College, as she discusses two exhibitions currently on view: Shaping Identity: Korean Print in Diaspora and Ten Moon by Jiha Moon.
Shaping Identity explores the relationship between cultural heritage, migration, and identity through the lens of printmaking. Featuring works by Tschang Yeul Kim, Kakyoung Lee, U-fan Lee, Jiha Moon, Yoonmi Nam, Nam June Paik, Jean Shin, Joo Yeon Woo, and Jayoung Yoon, the exhibition highlights how Korean and diasporic artists have used printmaking to navigate traditions, hybridity, and belonging across generations.
Ten Moon presents a new body of work by Jiha Moon that reflects her transition from Atlanta to Tallahassee and her ongoing exploration of identity, memory, and transformation. Incorporating paintings, ceramics, and mixed media, Moon blends Korean folk traditions, American pop culture, and digital imagery into a vibrant, dreamlike language of resilience and renewal.
Efurd will share insights into the curatorial vision behind these exhibitions and discuss how they together reflect themes of cultural continuity, migration, and the evolution of identity.
To close the event, the Atlanta Korean Cultural Center (AKCC) will present a Nanta performance, a high-energy percussion show that celebrates Korean culture and traditions through rhythm and movement. Founded in 2008 by HyunSuk Yang, AKCC has performed at national, state, and local festivals with a mission to build community connections through performing arts and education.
This event is free and open to the public.
