For Immediate Release

Atlanta Contemporary presents Once That River Starts to Flow, a solo exhibition by Joe Minter

On view: January 11 - April 1, 2018 
Exhibition Opening: Thursday, January 11, 6-9pm*

ATLANTA December 13 – Atlanta Contemporary Art Center (Atlanta Contemporary) is pleased to announce a solo exhibition with Joe Minter.

Joe Minter is ”The Magic City” and “The Magic City” is Joe Minter. He is one of a long line of decedents of emancipated slaves, farmers, coal miners, and steelworkers who built Birmingham into the city it is. To visit Joe’s home is a to take a walk in the deepest recesses of American history. Abutting right up to his property is the Shadow Lawn Memorial Gardens, “ancestral African burial grounds” where Michelle Obama’s great-great grandfather is buried besides countless hero veterans of war who made the ultimate sacrifice for our country. Minter frequently ends his long days by sitting beside the cemetery, not talking, “just listening to the 70,000 collective years of lessons the ancestors can teach him.”

This exhibition continues Atlanta Contemporary’s efforts to present and debut newly commissioned work by national/international artists to our community. Minter’s exhibition will be a fully new body of work. 

Joe Minter (b. 1943) is a retired construction worker and “outsider” artist who created his “African Village in America” at his home and an adjoining vacant lot at 912 Nassau Street near Shadow Lawn Memorial Park in the Woodland Park neighborhood of Birmingham. The African Village in America was begun in 1988 after Minter received a vision from God. The result, which is being continually enlarged, is a densely-packed art environment consisting of sculptures, monuments, signs, plantings and totems. The primary themes involve African-American history, particularly in Birmingham. Specific installations memorialize the 1963 church bombing and Martin Luther King, Jr’s stay in the Birmingham City Jail. He includes references to the spirits of African warriors looking over their descendants, and the achievements of African-Americans in numerous fields. Alongside the themes of achievement and loss are constant Biblical references and words of praise and thanks to God. These messages are distinct from William Rice’s “cross garden” in Prattville in that they favor praise and respect for God and creation rather than fiery appeals for salvation.

ABOUT ATLANTA CONTEMPORARY Atlanta Contemporary Art Center is a non-profit, non-collecting institution dedicated to the creation, presentation, and advancement of contemporary art by emerging and established artists. Atlanta Contemporary creates a diverse cultural landscape for artists, arts professionals, and the art-interested public through its exhibitions, educational programming, and studio artist program.

Visit to learn more.  

All press inquiries, contact:  Daniel Fuller, Curator

Photos available on request.

*The opening reception will be held in conjunction with Contemporary Cocktails, admission is free – cash/credit bar.

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