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Past Event March 16, 2017 / 6:30pm – 9:00pm
Introducing Curio : A new kind of arts-minded, city-centric event. Unique escapades brought to you by ArtsATL every month.
Participants will go behind-the-scenes of Atlanta legend Lonnie Holley’s I Snuck Off the Slave Ship, as well as visit with a few of the studio artists from Atlanta Contemporary’s Studio Artist Program. Featured artists include: Joe Camoosa, Jane Foley, and Jaime Bull.
We will have delicious nibbles courtesy The Optimist and drinks from Brahms and Listz.
Schedule for the Evening
6:30 Food + Drinks in resource room (1st cocktail free with ticket)
7:00 Artist studio tours
8:00 Led viewing of the Lonnie Holley exhibition
Joe Camoosa makes drawings and paintings that focus on complexity, order, and the uncertainty of meaning. Working within abstraction, he searches and strives for what doesn’t exist and hasn’t been seen before: the un-nameable. Mystery and ambiguity loom large; his work contains a number of things that might look familiar yet can’t quite be named—a map, a glimpse under a microscope, a scientific model containing arteries or clusters of organs and bodily shapes, or something in bloom, coming alive. His work is informed by many ingredients: maps, aerial landscapes, music, trains, graffiti, architecture, the sensation of rhythm and movement, the grid of New York City, and the tattered subway map from his childhood.
Camoosa was born in Asbury Park, NJ, and lives and works in Atlanta. He received an MFA in painting and drawing from the Lamar Dodd School of Art at the University of Georgia and graduated from Florida State University, where he studied mass communication and anthropology. Camoosa has exhibited throughout the Southeast, and his work is held in numerous corporate and private collections.
Jane Foley has created public sound sculptures for the Architecture Triennale in Lisbon, Portugal and La Friche Belle de Mai in Marseille, France with Zurich-based Sound Development City, as well as composed sounds that played in taxicabs throughout the 5th Marrakech Biennale in Morocco. In Atlanta, they have created works for the High Museum, Flux Projects, The Atlanta Contemporary, and the Hartsfield-Jackson Atlanta Airport, among others. Foley currently teaches art at Georgia State University and Emory University while raising a son who is also an artist and assists on many projects.
Jaime Bull builds a cast of sparkly clad forms that embody a strong, sexy, dangerous female presence. She is a collector and uses found, repurposed materials in her work to reference the body with a feminist perspective. Spending her time dumpster diving at the recycling center or scouring Goodwill to amass second-hand tube tops and sequined prom dresses, Bull’s sculptures have the rhinestone aesthetic of a bedazzled jean jacket or a Mardi Gras float. She examines and questions our relationship with the environment by highlighting a preoccupation with hoarding mass quantities of “stuff.”
Bull received her MFA in Drawing and Painting from the University of Georgia, Athens in 2013. She is a recipient of the Willson Center for the Arts research grant for her thesis work Lady Beasts: An Investigation of Womanliness. She has exhibited in Atlanta with Whitespace, Camayuhs, Hathaway Gallery and at the Airport in Terminal E. Regionally, she has shown work at the Zuckerman Museum of Art, University of North Georgia, Auburn University, Albany Museum and the COOP Gallery in Nashville. Most recently, her sculptures were featured in a two woman show with artist Melissa Brown (Brooklyn, NY), entitled Fountain, at the Lamar Dodd School of Art. She is a Vermont Studio School Fellow, attended a two-month residency at the Bernheim Arboretum in Louisville, KY and was an Atlanta Contemporary Art Center Studio Artist in Residence from 2016-2019. She was featured in and on the cover of the 219th edition of Ambit Magazine, London.
LocationGallery 1, Gallery 2, Gallery 3, Gallery 4, Gallery 5, Gallery 6, Atrium, Lobby, Artist Studios, Sliver Space
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