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Past Event October 26, 2019 / 12:00pm – 2:00pm
Wasting my Beautiful Mind: Understanding the Poetics of Black Fungibility
Discrit presents Wasting my Beautiful Mind: Understanding the Poetics of Black Fungibility by Yanique Norman, a lecture presentation examining artwork of all mediums including her own, followed by an open forum discussion.
In an effort to fully understand the profound complexities of blackness, artist Yanique Norman has developed a fantastical methodology that can both capture the peculiar constitution of black interiority as well as simultaneously treat racist iconography, an essential biological component of black DNA, like a deadly fungus. In tethering blackness to the fundamentals of mycology, the work aims to mimic an actual saprobe, symbiont, commensal, and zombie prototype. So then, Black Fungibility, is more than just a liberatory tool for one to dream more freely and boldly— but is a new philosophical program that finds power in not side-stepping a duplicitous history, but in a surreal and beautiful overpowering of it.
Parking is free in the lot at Bankhead & Means streets. You can access the lot via Bankhead Avenue and proceed past the parking attendant booth.
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Discrit (“critical discourse” / “discourse critique”) is an initiative of public knowledge-sharing and discussion. Spanning lectures, seminar-style discussions, critiques, and screenings, Discrit provides the public with programming dedicated to explorations of contemporary art and culture and free, university-quality art education. Discrit is Joey Molina and Chris Fernald.
Joey Molina is a multi-disciplinary artist and scholar working between video, installation, and collage. Their work engages with visual culture as material, object, and ephemera. Molina’s research interests include horror films, queer theory, and new media. They received their BA from Georgia State University in 2013 and will be on track for their MA in Film and Video at Georgia State University in Fall 2020.
Chris Fernald is an artist, musician, and curator living in Atlanta. His work has been exhibited in group shows in New York and Mexico City, and his poetry and art criticism have seen publication in both Canada and the US.
Chris is currently at work on a pop music endeavor called Rem Reviere, a project examining the poetics of the post-human condition and ideas of techno-spirituality. He is also in the midst of writing Mal Air, a dystopian allegory of affective labor and networked experience set in recession-era Los Angeles, with artist Diandre Fuentes.
He received his BFA from the Rhode Island School of Design in 2013.
Yanique Norman is a multimedia artist whose work primarily deals with privilege and nationalistic ideologies all the while pondering a decolonial future. In an ongoing series that predominately feature collage on paper, video and sculpture, Norman reworks official portraits of Presidential wives so as to allude to a troubled past. Work serves as a reclamation project by reimagining iconic images so as to both reflect and institute a fungible counter narrative regarding blackness. Currently based out of Atlanta, Norman is a graduate of the School of the Art Institute of Chicago (MFA, 2018) and Georgia State University (BFA, 2014). Recent exhibitions include NADA House (New York); Sullivan Galleries (Chicago); Sandler Hudson Gallery (Atlanta); Hudgens Center for the Arts (Duluth); Mast (Atlanta); Illges Gallery at Columbus State University (Columbus); Gallery 72 (Atlanta); Zuckerman Museum of Art (Kennesaw); The Atlanta Contemporary and Museum of Contemporary art of Georgia. Her work is in the public collections of the High Museum; Hammonds House Museum and the Clark Atlanta University Art Museum. In 2018, she was awarded the Susan Antinori Visual Artist Grant. In 2020, Norman will have her first solo museum exhibition at Albany Museum of Art.
September 25 – September 26
Dance Canvas Summer Artist Residency: Closing Performances
Atlanta Contemporary and Dance Canvas are partnering on a new initiative that provides time and space to dance artists in metro Atlanta.
October 8 / 12:30pm
A Conversation Between Sister Cities
Les Abattoirs and Atlanta Contemporary
Presented by Cultural Services of the Embassy of France in the United States
Atlanta Contemporary and Les Abattoirs partner together for a dynamic conversation between executive directors, Veronica Kessenich and Annabelle Ténèze, and how they steward their respective organizations through these unprecedented times.
October 17 / 12:00pm
Presented by Idea Capital
Join us for Discrit, a free art education initiative spanning lectures, screenings, workshops, and panels designed to foster lively conversation and speculation about contemporary art and culture. This installment of Discrit features Nathan Lee, Visiting Assistant Professor in the Department of Film and Media at Emory University. Lee will share his lecture “Theory is Cancelled: Donald Trump and the trolling of critique.”
On September 4, 2020, the White House released a memorandum ordering federal agencies to identify and eliminate any spending on “critical race theory.” The professed goal of this directive was to initiate an ideological purge of any suggestion that “the United States is an inherently racist or evil country.” That critical race theory should find itself thus mischaracterized and dragged into the swamp of bareknuckle electioneering is part of the longer story of conservative hostility to academia—and the latest chapter in the peculiar entanglement of the Trump administration with critical theory.
Did postwar philosophy give rise to “fake news” and “alternative facts”? Why has it been suggested that a theoretical questioning of truth, language, reality, and power is equivalent to the rantings of a reality TV president? Is Trump the walking, tweeting embodiment of postmodernism? This talk examines the way recent commentators have posed such questions and speculates on what theory can – and cannot – tell us about the Trumpist derangement of truth.