You Are Heleswv (Medicine)

You Are Heleswv (Medicine)

June 11, 2022 – September 4, 2022

Erasure is a violent act. The forced removal of the Muscogee (Creek) and Cherokee from the Southeast can be described as nothing other than genocide. When we think of the word erasure, it seems almost childish. It conjures thoughts of No. 2 pencil lead being rubbed by a pink eraser, hitting ctrl+Z to undo something on your computer, or deleting something on your phone. In stark contrast, the erasure of Indigenous people from Atlanta is anything but childish. How do you delete an entire society of people? By taking away their relationship to the land. According to Philip Deere, the Muscogee people are “those who possess herbs.”[1] Our plants and medicines are a vital part of our identity. Our language, traditions, and ceremonies are held in these plants. These medicines are equally important to the Cherokee people, who were punished for planting seeds while they were marched along the Trail of Tears.

The title You Are Heleswv (Medicine) suggests that each artist and their embodied knowledge, which is presented in their work, is healing on a physical and spiritual level. The video TOTSU (Redbird) by Jeremy Charles (Cherokee) incorporates the Cherokee language, themes of Murdered and Missing Indigenous Women (MMIW), and Indigenous Futurism. Nathaniel Cummings-Lambert’s (Cherokee) contribution, featured in Sliver Space, is a Deed of Cultural Easement at Atlanta Contemporary, which will grant the property to Cherokee and Muscogee (Creek) citizens for cultural use. Kalyn Barnoski’s (Cherokee) work stems from the great tradition of Cherokee weaving and basketry. Barnoski uses the theme of weaving in literal and metaphorical ways. Hôtvlkucē Harjo (Muscogee), known for their brand D O M M Į V E R A, merges text and traditional imagery with fashion. Patrick Freeland (Muscogee), a Mvskoke gardener at College of Muscogee Nation, shows heleswv in The Secret Garden. Accompanying our Mvskoke plants are the poems Stomp All Night and This Morning I Pray for My Enemies by Joy Harjo (Muscogee), award-winning U.S. Poet Laureate. Ceramic sculptures by Raven Halfmoon (Caddo) serve as a reminder that when the Cherokee and Muscogee arrived in Indian Territory, they displaced other Indigenous people residing there, including the Caddo. This was part of the U.S. government’s design to create conflict and competition between tribes.

You Are Heleswv.

[1] Muskogee Creek Elder, 1929 - 1985

Bios

Kalyn Barnoski

Kalyn Fay Barnoski (Cherokee Nation enrollee, Muscogee Creek descent) is an interdisciplinary artist, musician, curator, and educator from Oklahoma. Centering Indigenous and decolonial methodologies, their work focuses on self-location, community-building, collaboration, and empathy through the use of music, publication, storytelling, and contemporary craft. They hold an M.F.A. from University of Arkansas (2021), an M.A. from The University of Tulsa (2016), and a B.F.A. from Rogers State University (2012).

Jeremy Charles

Jeremy Charles is a writer/director/producer/cinematographer and leader of FireThief Productions, a Cherokee-owned film production company. Beginning his career as a graphic designer and freelance writer, Jeremy spent a decade as a photographer recognized for his bold portraiture and work in the music scene. He has been proud to lend his eye and expertise to Cherokee Nation projects for the past 15 years. Since answering the call of filmmaking, Jeremy has filled nearly every role in production in hundreds of short docs, narrative shorts, branded content, and music videos. He is a co-creator, producer, and director for “Osiyo, Voices of the Cherokee People” which has earned five regional Emmys, and he was awarded Best Director in 2017 for the documentary short “Singing Tradition”. His direction of the music video for ‘Everybody Needs’ by Branjae earned Judge’s Choice Graphex award in 2018, and his films have been selected for numerous film festivals.

Nate Cummings-Lambert

Nathaniel Cummings-Lambert (Sylva, NC) is a Ph.D. student in Sociocultural Anthropology and the Culture and Media certificate program at New York University. He holds a BA in Religious Studies from Eugene Lang College, The New School and an MFA in Art from California Institute of the Arts. He is an enrolled member of the Eastern Band of Cherokee Indians located in Cherokee, North Carolina. His art has been exhibited at Southampton Art Center (2022), Alta Art Space in Malmö, Sweden (2019), Socrates Sculpture Park (2018-2019), and Utah Museum of Contemporary Art, Salt Lake City, UT (2018). His films have been screened at the Asinabka Festival (2021), Engauge Experimental Film Festival (2019), Northampton Film Festival (2019), Milwaukee Underground Film Festival (2018), Cosmic Rays Film Festival (2018), Anti-Matter Film Festival (2011), and the Dorothy H. Hirshon Film Festival (2011).

Patrick Freeland

Patrick Austin Freeland, Wind Clan of the Muscogee Nation of Oklahoma, serves as an educator and communicator, committed to action to promote the advancement of community and educational institutions through the integration of plural knowledge systems, employing excellence in design, and leading innovation through adaptation. Through interdisciplinary sciences, arts, and engineering, Patrick’s vocation seeks to integrate living systems and contemporary knowledges as a means of addressing significant environmental challenges through cultural revitalization and community engagement. He currently serves as a Natural Resources Instructor at the College of the Muscogee Nation and leads the Mvskoke Cultural Gardens, which seeks to continue Indigenous Mvskoke traditional ecological knowledge, as well as to integrate modern agrotechnologies for synthetic-chemical-free food production, increasing biodiversity, and ecosystem restoration. Patrick is also the director for the Livelihood Knowledge Exchange Network (LiKEN) Knowledge Sharing Network: Centering Indigenous Knowledge Systems project, and leads the BuildingAFire.org website which offers freely available resources licensed under Creative Commons, to support Indigenous and non-Indigenous climate educators and students. Patrick continues to engage novel and creative endeavors which span the boundaries of healing and peace-making, community advancement through adaptive management, utilization of media and information technologies, and intercultural communication.

Raven Halfmoon

Raven Halfmoon (Caddo Nation) is from Norman, Oklahoma. She attended the University of Arkansas where she earned a double Bachelors Degree in ceramics/painting and cultural anthropology. Her work has been featured in multiple exhibitions throughout the U.S. as well as internationally. Raven is currently based in Helena, MT where she is an artist in residence at the Archie Bray Foundation for Ceramic Arts. She is represented by Kouri + Corrao Gallery in Santa Fe, NM.

Hotvlkuce Harjo

Hotvlkuce Harjo is a queer Mvskoke-Creek interdisciplinary artist currently based in Portland, OR (the ancestral territory of the Confederated Tribes of Grand Ronde) and originally from Oklahoma. Through film photography and illustration their work surfaces important dimensions of contemporary Indigenous life. This can be seen in their work surrounding the Revitalization of Indigenous Tattoo Practices, specifically in Mvskoke and Southeastern communities. The following are frameworks their work is rooted in: Women + Gender Studies, Queer Theory, Indigenous Feminism, Indigenous Futurism, Disability Studies, and Mvskôkē Epistemology.

Joy Harjo

Joy Harjo is an internationally renowned performer and writer of the Muscogee (Creek) Nation. She is serving her second term as the 23rd Poet Laureate of the United States. The author of nine books of poetry, including the highly acclaimed An American Sunrise, several plays and children’s books, and two memoirs, Crazy Brave and Poet Warrior, her many honors include the Ruth Lily Prize for Lifetime Achievement from the Poetry Foundation, the Academy of American Poets Wallace Stevens Award, two NEA fellowships, and a Guggenheim Fellowship. As a musician and performer, Harjo has produced seven award-winning music albums including her newest, I Pray for My Enemies. She is Exec­u­tive Edi­tor of the anthol­o­gy When the Light of the World was Sub­dued, Our Songs Came Through — A Nor­ton Anthol­o­gy of Native Nations Poet­ry and the editor of Living Nations, Living Words: An Anthology of First Peoples Poetry, the companion anthology to her signature Poet Laureate project. She is a chancellor of the Academy of American Poets, Board of Directors Chair of the Native Arts & Cultures Foundation, and is the inaugural Artist-in-Residence for the Bob Dylan Center in Tulsa, Oklahoma, where she lives.

Location

Gallery 4, Chute Space, Secret Garden, Sliver Space gallery map


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