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Past Event November 15, 2018 / 7:00pm – 9:00pm
Studio Artist Program
Open Studios spotlights the artists in our Studio Artist Program. This event is one of three nights a year where we invite you to join us and meet the artists, see their work firsthand, and perhaps add some art to your collection.
Who Will Be In Attendance
Open Studios supports our vision to build a community that offers ever-expanding support for the creation and appreciation of contemporary art. All are welcome to attend including artists, creatives, professionals, students, as well as anyone who is simply interested in art, cocktails, and connections.
What’s It All For
All ticket sales directly support the subsidization of each studio space. Sponsorships underwrite Atlanta Contemporary’s efforts to provide honoraria to many of the artists who exhibit in the galleries and project spaces within our campus.
This event works in conjunction with Contemporary Cocktails, featuring freshly mixed cocktails by our Mixologist-in-Residence, a DJ spinning tracks, as well as bites for sale. Cash/Credit.
Member/VIP hour - 6:00-7:00pm
General Admission - $10 (Available online + at the door)
Students - $5 (Available at the door)
VIP Admission - $35 (Available online + at the door)
Members - FREE admission with member card
All money raised supports the Studio Artist Program.
SUPPORTERS receive free admission. Become a supporter today!
Masud Ashley Olufani (MAO) is an Atlanta based actor and mixed media artist whose studio practice is rooted in the discipline of sculpture. He is a graduate of Arts High School in Newark, N.J., Morehouse College and The Savannah College of Art and Design where he earned an M.F.A. in sculpture in 2012. Masud has exhibited his work in group and solo shows in Atlanta, Georgia; New Orleans; Louisiana; Chicago, Illinois; Richmond, Virginia; Lacoste, France; and Hong Kong, China. The artist has completed residencies at The Vermont Studio Center; SCAD Alumni Artist in Residence in Savannah; The Hambidge Center for Arts and Sciences in Rabun, GA.; and Creative Currents in Portobello, Panama. He is a recipient of a 2015 Idea Capital Grant; a Southwest Airlines Art and Social Engagement grant; a recipient of 2015-16’ MOCA GA Working Artist Project Grant, and is a member of the 2014-15’ class of the Walthall Fellows. He has appeared in numerous television shows including Being Mary Jane, Devious Maids, Satisfaction, and, Nashville, and will be a featured actor in the feature film All Eyez on Me: The Tupac Shakur Story.
Jaime Bull builds a cast of sparkly clad forms that embody a strong, sexy, dangerous female presence. She is a collector and uses found, repurposed materials in her work to reference the body with a feminist perspective. Spending her time dumpster diving at the recycling center or scouring Goodwill to amass second-hand tube tops and sequined prom dresses, Bull’s sculptures have the rhinestone aesthetic of a bedazzled jean jacket or a Mardi Gras float. She examines and questions our relationship with the environment by highlighting a preoccupation with hoarding mass quantities of “stuff.” Bull received her MFA in Drawing and Painting from the University of Georgia, Athens in 2013. She is a recipient of the Willson Center for the Arts research grant for her thesis work Lady Beasts: An Investigation of Womanliness. She has exhibited in Atlanta with Doppler Projects, MINT Gallery, Mammal Gallery, Whitespace, Camayuhs and at Hartsfield Jackson International Airport. Regionally, she has shown work at the Zuckerman Museum of Art, University of North Georgia, Auburn University, Albany Museum, the COOP Gallery in Nashville and all over Athens, GA. She is a Vermont Studio School Fellow, attended a two-month residency at the Bernheim Arboretum in Louisville, KY and was an Atlanta Contemporary Studio Artist in Residence. She was featured in and on the cover of the 219th edition of Ambit Magazine, London. She currently lives in Athens, GA and teaches at the University of Georgia.
Sonya Yong James is a sculptor and multi-media artist whose work for the past several years has focused on the exploration of the idea of physical devotion and ritual experienced through the process of repetitive labor intensive making. The sculptures utilize animal hair, including sheep wool and horse hair. Her current work is focused on the duality of form representing opposing sensations and active emotional tensions. This is shown by contrasting visual textures such as gentleness and violence, animal and human, and beauty and the abject. She is influenced by the landscapes of the South, personal narrative, and the history of mourning in America.
James was born in Knoxville, Tennessee and raised in Atlanta, Georgia. She received a BFA in Printmaking from Georgia State University in 2000 where she focused on etching and sculpture. James has exhibited nationally for the past twenty years and has been the recipient of several grants, awards, and residencies. In 2013, she curated an exhibition for the Hudgens Center for the Arts entitled Repetition and Ritual: New Sculpture in Fiber that travelled to the Minnesota Museum of American Art. She is currently in a traveling exhibit originating at the Muskegon Museum of Art that is considered an international survey of innovators in the field entitled Extreme Fibers: Textile Icons and the New Edge.
Dana Haugaard received his MFA from the University of Iowa and is a graduate of Emory University. Dana has been a resident in the Atlanta Contemporary’s Studio Artist Program and is a Hambidge Fellow. He has recently been shown at the Zuckerman Museum at Kennesaw State University, the Macon Museum of Arts and Science, and the Urban Institute of Contemporary Art in Grand Rapids Michigan. As an artist working with sound and sensation, Dana investigates how our self-awareness in any given moment functions in relationship to our presence in space, place, and time. He works with sensation and perception to create environments that provoke a heightened sense of awareness of one’s self. Dana uses and manipulates sound, reflective surfaces, and vibrations to construct experiences that draw attention to and call into question our relationship to our surroundings. These situations play with physical, spatial, and temporal reference points to take what is often a minimal presentation and make it an overwhelming experience. Dana currently teaches Visual Art at Emory University as part of the Department of Art History.
Known for incorporating the “glitch” aesthetic into the ceramic vernacular, A-Johnson’s work addresses thoughts of memory, technological integration, mark making, and perceptual consciousness. While his original draw to the ceramic medium was the physical nature in which it is manipulated, during Graduate school at Arizona State University, He found clay to be a relevant medium to explore the relationship of illusion and form, thought and physicality. A-Johnson has continued the exploration of these ideas and processes through multiple relocations, including time spent as a visiting artist at the College of Creative Studies in Detroit, and an Assistant Professor at Buffalo State College. He most recently transitioned from being a full time studio artist in Copenhagen, Denmark to join Georgia State University, Atlanta, GA as an Assistant Professor. A-Johnson’s work has been recognized nationally and internationally through awarded grants, exhibitions, and residencies. In 2012 he was awarded the Emerging Artist Award through NCECA, and most recently received an exhibition grant from the Danish Cultural Ministry to complete a residency and exhibition opportunity through C.R.E.T.A. Rome. For this opportunity he continued to integrate digital processes with traditional forming and surface treatments. This act reflects the current state of human experience, as we navigate between actuality and the illusions presented by our screens.
Kirstin Mitchell is a multi-media artist living in Atlanta, Georgia. Mitchell creates experiential environments in various mediums including, painting, installation and performance. Her work has been shown throughout the East Coast and Internationally, in Austria and Italy. Mitchell is a recent MOCA GA Working Artist Project Fellow. She has performed with the support of the Franklin Furnace Fund in Manhattan, New York. Mitchell’s work has been featured in publications including Art in America, Art Papers and Flash Art magazines.
Greene uses a diverse photographic practice to explore representations of race. Greene is currently working on a new body of work that uses African textiles as a material and pattern to explore her own relationship to culture. She received an Illinois Arts Council Fellowship in Photography and has completed residencies at Light Work in Syracuse New York and the Center for Photography at Woodstock. Her work is in the permanent collection of Museum of Contemporary Photography in Chicago, Museum of Fine Arts in Houston, The National Gallery of Art in Washington D.C., the Nelson-Atkins Museum of Art, Kansas City, and the Princeton University Art Museum. Myra Greene’s work has been featured in nationally exhibitions in galleries and museums including The New York Public Library, Duke Center for Documentary Studies, Williams College Museum of Art, Spelman College Museum of Fine Art in Atlanta, Museum of the African Diaspora in San Francisco, and Sculpture Center in New York City. Myra Greene was born in New York City and received her B.F.A. from Washington University in St. Louis and her M.F.A. in photography from the University of New Mexico. She currently resides in Atlanta Georgia, where she is an Associate Professor of Photography at Spelman College.
MaDora Frey’s sculptural paintings describe an internal geography, one influenced by the both the rural, rugged terrain of her youth and the cities she has lived in. Materials with a strong physical presence, such as wood and paint, are paired with those that possess spiritual or even mystical associations, such as mirrors and light. Whether one interprets the work as object, portal, painting, or perhaps “artifact” from the future, the effect is one of visual complexity and wonderment. In coupling real with illusory space, the work evokes the uncanny sense of inhabiting two places at once, without being fully present in either.
Frey is a cross-disciplinary artist, originally from Georgia. Frey has exhibited domestically with solo shows in Seattle, Washington, and New York City and group shows in Austria and Spain. She was recently commissioned by the Katonah Museum of Art to create a large-scale outdoor public work on the museum campus. Accolades include the Prince of Wales Fellowship in Normandy, France, publication in New American Paintings, and residency grants from Jentel Residency, Vermont Studio Center, and Marble House Project. She subsequently serves as an advisory board member and juror. Her past memberships include NYC art collective, tART, and currently, Future Present Creative Assembly. Frey has instructed and lectured at Hunter College, Rutgers University, New York Academy of Art, Auburn University, LIM College, Abbey Road International Program, and Georgia State University. She received her MFA in painting, magna cum laude, from the New York Academy of Art and her BFA, with a concentration in drawing and printmaking, from Auburn University. Additionally, Frey studied at the Florence Academy, Florence, Italy. Her work is held in numerous private collections. She is represented by Massey Klein Gallery in New York City.
Sara Hornbacher is a pioneer of video art and digital imaging. After receiving an undergraduate degree in Fine Art, she completed at Masters Degree at SUNY Buffalo where she studied video with the Vasulkas at the Center for Media Study. Hornbacher was Guest editor of the first CAA ART JOURNAL issue on Video in 1985. She completed her first residency at the Experimental TV Center in 1976 and her annual residencies at ETC continued through 2011. Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist’s single-channel video works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1,The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA/GA , the Fay Gold Gallery, and The Atlanta Contemporary Art Center where she mounted a large-scale interactive installation environment, “A Thousand Plateaus” in 2001. She is currently a Studio Artist at The Contemporary. Hornbacher has received numerous grants and awards including a 1985 Media Production grant from NYSCA and The Mayor’s Fellowship in the Arts from the Atlanta Bureau of Cultural Affairs in 2000. ”Transfigured Time”, a 40’ photomural composed of 128 portraits of Atlantans was commissioned for Course E at Hartsfield-Jackson Airport. In 2012, she became a Legacy Artist at The Burchfield Penney Art Center in Buffalo, NY and her video work is being archived at the Rose Goldsen Archive at Cornell University in Ithaca, NY.
Jaime Keiter is an artist working primarily in the medium of ceramics. She graduated with a BFA from the University of Georgia in 2001 and worked as a photo art director at various fashion and design magazines in New York City for 14 years before returning to Atlanta in 2016. Her ceramic sculptures are collaged from individually handcrafted and glazed porcelain tiles. Her process begins with cutting geometric and organic shapes from porcelain slabs, underglazing patterns and textures, and then finishing each tile with a variety of different mid-fire glazes including copper washes, turquoise, creamy pastels, and bold primaries. These elements are then collaged together to create the sculptures. The works are inspired by the Bauhaus art of 1920’s Pre-War Germany and the Postmodern Memphis design movement of the 1980’s. She is interested in the intersection both of these movements have between fine art and craft that combine to make functional and non-functional design objects. She has exhibited with Daily Operation in Brooklyn, New York as well as Swan Coach House in Atlanta. Her art has been featured in various publications including Sight Unseen, Design Milk, and Architectural Digest.
Joe Camoosa makes drawings and paintings that focus on complexity, order, and the uncertainty of meaning. Working within abstraction, he searches and strives for what doesn’t exist and hasn’t been seen before: the un-nameable. Mystery and ambiguity loom large; his work contains a number of things that might look familiar yet can’t quite be named—a map, a glimpse under a microscope, a scientific model containing arteries or clusters of organs and bodily shapes, or something in bloom, coming alive. His work is informed by many ingredients: maps, aerial landscapes, music, trains, graffiti, architecture, the sensation of rhythm and movement, the grid of New York City, and the tattered subway map from his childhood.
Camoosa was born in Asbury Park, NJ, and lives and works in Atlanta. He received an MFA in painting and drawing from the Lamar Dodd School of Art at the University of Georgia and graduated from Florida State University, where he studied mass communication and anthropology. Camoosa has exhibited throughout the Southeast, and his work is held in numerous corporate and private collections.
JD Walsh is a multimedia artist. He has exhibited at galleries internationally including Halsey McKay, Cleopatra’s, 106 Green, Brennan & Griffin, and Nicole Klagsbrun in New York, Galerie Steinek in Vienna, and Cooper Cole in Toronto. In 2012 his public art installation “Ensemble for Mixed Use” was commissioned by the City of Toronto for the 2012 Nuit Blanche festival. His work has been written about in Artforum, Flash Art, and Sculpture Magazine, among others. His ongoing music project Shy Layers has garnered critical acclaim and was listed as one of the top 20 electronic albums of 2016 by Pitchfork. Walsh is interested in tuning, perception, framing devices, context, serialism, thought-mirrors, rhythm, time signatures, appropriation, shapeshifters, random number generators, echoes, hallucinations, compresssion, phases, castoffs, generative art, John Cage, texture, thresholds, and visual crossfades.
Brotherton’s Killskreen paintings use the cast-off shapes and spaces from `80s video games as points of depar- ture into abstraction. 8-bit players who were good could blast though enough levels to exceed the arcade game’s memory, resulting in a frozen, glitched “kill screen.” This tableau, so charged, becomes the zone for Brotherton to push the limits of oil and acrylic paint, glitter and terrycloth.
These paintings present viewers with images as bright and playful as video games. But the contrasting geometries and varying textures, the hybrid of analog and digital gestures, and the remixed artifacts of a virtual past allow us to pause our game and take a look around.
Brotherton regularly exhibits his work in solo and group exhibitions, museums, art centers, and art fairs, nationally and locally. He has been reviewed in many newspapers and magazines such as The New York Times, Creative Loafing, The Albuquerque Journal, Burnaway, ArtsAtl, dArt International Magazine, NY Arts Magazine, and Flash Art Magazine. Brotherton received his MFA in painting and drawing from the City University of New York at Brooklyn College, and his BFA from the University of New Mexico. He currently lives and works in Atlanta, GA., and is represented by Causey Contemporary Fine Art in New York City.
Erin Jane Nelson (b. 1989, Neenah, WI; lives in Atlanta, GA) received her BFA from the Cooper Union School of Art in 2011. Her work has recently been exhibited in “Between the Waters” at the Whitney Museum of American Art in New York and “Photography Today: Public Private Relations” at Pinakothek der Moderne in Munich. She has had solo shows at Document Gallery, Chicago (2015, 2017) and Hester, New York (2015) and was included in ATLBNL: The Atlanta Biennial at the Atlanta Contemporary Art Center (2016) among numerous group exhibitions at Downs & Ross, New York (2017), Honor Fraser, Los Angeles (2016), Galerie Division, Montreal (2016), and Ellis King, Dublin (2015). She has contributed to publications including BURNAWAY, The Creative Independent, T: The New York Times Style Magazine, and Art Papers, and has curated exhibitions at the High Museum of Art, Atlanta Contemporary, and elsewhere. In 2016-17, while she and her husband, artist Jason Benson, were studio residents at Atlanta Contemporary, they operated the artist-run space Species out of their shared studio. Species continues to occasionally produce exhibitions itinerantly, most recently presenting the work of Rhode Island-based artist Harry Gould Harvey IV at Atlanta Contemporary earlier this year.
Keyatta Mincey brings a diverse background of over 20 years in the foodservice industry that melds hotel expertise with fine dining proficiency and the fast pace of dance clubs. After years of walking the runway, and gracing covers, Mincey switched her focus to bartending and found and an amazing bond between herself and the drinks that she was making. “Talking to people is what I love most about bartending, and it’s how I perfect my ideas,” says Mincey. “I love to create, so I take the time to talk to guests, find out how they’re feeling and build a relationship, so I can craft truly signature cocktails.” These days you can find Mincey partnering with some of the county’s most influential spirit brands, to bring her message of creating picture-perfect cocktails to the masses. “For me, it’s not just about the drink,” Mincey explains. “It’s about talking to people, actually listening to what they like, and making them apart of the process when creating their cocktail.”
Mike Stasny is an installation artist, performance artist, and sculptor from the midwest currently working out of Atlanta. He primarily works with raw building materials and broken furniture converting them into “creatures” inspired by natural history museums, sci-fi, and his grandfather - an eccentric taxidermist whom let Mike play in his basement with numerous dead things. His most notorious work to date is “what what in the butt” - a youtube viral video that conflates homosexuality, blackness, and religion into an absurd / escapist cartoon like universe. On occasion, he provides “MUSIC YOU NEED” for art related events.
Once upon a time in Bavaria, the German landscape was covered in snow and fog. As mist loomed through the air, a gentleman was in the town square and set up with a cart selling tasty sausages on crusty bread with mustard, a simple edible handwarmer. From there, the inspiration was born.
We made our name early on at a small table stand in 2011 and moved to a take away shop in downtown Decatur in the spring of 2015. We kept evolving and growing all the while staying true with the philosophy of using the best ingredients we can get our hands with a locally made influence and turn those into classics born out of traditional and adventurous combinations.
April 8 / 6:30pm
Home Is Where the Art Is
Executive Director, Veronica Kessenich
Join other members of Atlanta Contemporary for a virtual behind-the-scenes tour of Atlanta’s best contemporary art collections. This week we are giving you an exclusive look at Atlanta Contemporary’s Executive Director, Veronica Kessenich’s home and private art collection.
April 18 / 12:00pm
Trend Forecasting Workshop
Join us for Discrit, a free art education initiative spanning lectures, screenings, workshops, and panels designed to foster lively conversation and speculation about contemporary art and culture.